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Dance constitution EssayIrish step bound has existed since the 1700s, over 300 years. Families in Ireland pay passed down Irish step terpsichore from generation to generation as a way of preserving their culture. spot the meaning of the bound remains the same, the performance and showmanship has changed dramatically. From girls and boys with pale skin and natural hair to girls with fake tanned skin, huge kinky wigs, and thousand dollar dresses and boys with fake tanned skin and outlandish outfits. Irish leap has become to a greater extent of a spectaclesuch as River jump and Lord of the Dance. Those dances are some of the most enjoyable and respected approximately the world. Over time this type of dance has motorn on a life of its own and changed from tralatitious to mod. Despite the changes, however, this dance has clung to the meaning and history behind each intense movement keeping the custom alive. Irish dance has such a strong response from those who are a part of the audience, command or dancing. It is so enthralling that in many ways it is sweeping the nations. Through schools where former dancers pull up stakes teach the reinvigorated comers and relay the traditions so they wont be lost in the past.This longing has command the way for many dance schools throughout the world. The diversity of schools and teachers has predate to a more unique anatomy of dance. The antithetical styles of the teachers and culture bleed through the movements and the school become products for that certain style of movement. On stature of the teachers styles, every dancer over time creates a rare technique that melds as a consentaneous with the impression of Irish dance. The fact that the dance is so out there and unique has given it a form of popularity in this century. Numerous people have taken the dance and attempted to improve it with modern aspects.Their efforts are to take the traditional aspect of the dance and form it to coincided with the t ime period in society. In the past this has been done by interest the dance into limelight. Taking methods of the dance or stick with the traditional movements and showing them in a way that would be more interesting to the public. Which is what was done with Riverdance and Lord of the Dance, which take the form of the dance and use it for a dramatic necessity. There are various parts of Irish dance that have lasted throughout the years to remain an influence on the form known today.These rudiments have laid the foundation on which the dance has grown. Performed mainly during festivals, which date from the period of Eric the Red and the Viking raids of Ireland. While the Vikings did destroyed most books and written records, it was acknowledged that melody and dance were important to the Celtic culture. These festivals were a categorisation of trade fair, political gathering, music, dance, sports, story give tongue toing and crafts. Today, the sole purposes of feiseanna are compe titive dance competitions. There is button up music, crafts, and trades, not as much.Officially there is no political aspect to the festivals anymore, many who participate would tell you otherwise. The reason that the traditional dance has remained apart of the world is because of the teachers and students. But in order to dance the students need movements, steps, and music to put them to. The dance mastersteachers of the 18th and 19th centuriesall had the same original dance steps, while they invented their own steps on top the original ones. There are two different roots, which made two forms of dance step dancingfrom a structural origin and ceili dancingfrom a traditional origin.There are four types of Irish music and dances that compose the step dance jig, the decline dances, reel, and hornpipe. All of these dances are more elaborate than ceili and require more teaching. A ceili is a gathering for music and dancedanced mainly for enjoyment and entertainment not competition. I t represents an informal tradition of dance that is generally harsh among people since prehistory. Ceili dances are danced in big groups and are pretty easy to learn. These basics of the dance have been changed in order to modernize it according to the present.The modern history of Irish dance began in 1893 when the Gaelic League was founded. This league was made to support the rebirth of Irish culture. Throughout the 18th and 19th centuries, dance masters trained dancers. The dance masters were all male and traveled from town to town-teaching dance along with other life skills that applied at the time. Dance masters formed both the set and ceili dances, as well as the first schools of Irish dance. Now teachers are both women and men and are stipendiary for their services through their respective dance schools.During the period of the dance masters, stages were much smaller. As the art of Irish dance grew larger, the dancing was effected and the movement of dancers across a stage increased. Now judges go out mark dancers down point if said dancer doesnt move around the stage enough. Where the dancing took place changed too the outdoors to hotels or schools. In the 20th century, complex steps are perspicuous in the new style of dance. Teachers continuously try one another by affixing in new movement to every routineincluding, in some cases, gymnastics moves.These characteristics along with others allow the traditional dance to explore, evolve, and change into a more modern version of what it was. Irish dancing is a beautiful dance and art that despite being suppressed has risen about to mix with the modern culture creating an authoritative dance widely popular throughout the world. The feeling by the teachers, dancers, and audience around the world has lead to the dances modernization that has improved the dance by creating new steps and movement to add to the traditional ones.Irish dance that has a presence you cannot ignore and with any luck will live to evolve to withstand the course of time, entertaining whom ever is lucky enough to bare witness to this providential dance.Bibliography 1. Brennan, Helen. The Story of Irish Dance. Dingle, Co. Kerry, Ireland Brandon, 1999. Print. 2. Hall, Frank. Competitive Irish Dance Art, Sport, Duty. Madison, WI Macater Press, 2008. Print. 3. The History of Irish Dance. Irelandseye. com. N. p. , n. d. Web. 7 April. 2012. 4. Cipollo, Kaelyn. Irish tone of voice Dancing. Historical Boys Clothing. N. p. , 10 May. 1998. Web. 7 April. 2012.