Ernest Hemingway and Hollywood Essay example -- Biography Biographies

Heming government agency and Hollywood I try, when Im writing a screenplay from somebodys sure work, to be as flexure to it as I can be, deep down the limitations of a screenplay and remembering that the fable medium and the screen medium atomic number 18 entirely different-Screen economiser, Casey Robinson, (Laurence 12).Hollywood attempted twice, but it still could non produce a take in adaptation of A Farewell to weaponry that Hemingway considered to do literary judge to his classic novel. The first effort was in 1932 when Paramount producer frump Borzage utilize ridiculous publicity stunts to bait audiences, such(prenominal) as move letters to women stamped jilted BY CENSORS. They exactDear MadamWar-time estimate you were al ace in a dark, drab, Swiss hotel room In a few weeks you were to become a mother-and the humankind you loved was miles away-on the shell-torn Italian front. You write letter after letter to him-twenty 1 of them-and they are all returned stamped REJECTED BY CENSORThis is just wiz of the dramatic situations in Ernest Hemingways A Farewell to Arms, which comes to the _____ Theater on ___ (date).As you read in the novel, youll impose A Farewell to Arms on the screen (Laurence 42-3). This was just one of the many shameless ploys Hollywood used over the years to feat the celebrity status of the revered precedent however the effectiveness of such a publicity piece depended on the recipients not having read the book-else they would acknowledge that no such situation exists in the novel (43). Studios knew what they had to do meet the ratings they sought it was gratifying for the public to confide that going to a moving supply was as good as adaptation a book (43). By the time devoted Hemingway readers saw the require ... ... Arms he erst said (they did not ) also cleave the right to my sanction of the picture version (Laurence 44). Despite the sum of coin he made, Hemingway suggested that the best way fo r a writer to deal with Hollywood was to meet the producers at the atomic number 20 state line You drop down them your book, they throw you the money. Then you jump into your railway car and drive like hell patronise the way you came (Oliver A Hemingway retro) Works CitedLaurence, Frank. Hemingway and the Movies. Jackson University Press, 1981. Oliver, Charles ed. A go Picture Feast The Filmgoers Hemingway. rising York Praeger 1989. Oliver, Charles. A Hemingway Retrospective Hemingway and Hollywood. http//www.cnn.com/SPECIALS/books/1999/hemingway/stories/hollywood/ http//mason-west.com/Hemingway/films.php Films found on the works of Ernest Hemingway. Ernest Hemingway and Hollywood Essay example -- Biography Biographies Hemingway and Hollywood I try, when Im writing a screenplay from somebodys original work, to be as faithful to it as I can be, within the limitations of a screenplay and remembering that the novel medium and the screen medium are entirel y different-Screenwriter, Casey Robinson, (Laurence 12).Hollywood attempted twice, but it still could not produce a film adaptation of A Farewell to Arms that Hemingway considered to do literary justice to his classic novel. The first effort was in 1932 when Paramount producer Frank Borzage used ridiculous publicity stunts to lure audiences, such as sending letters to women stamped REJECTED BY CENSORS. They readDear MadamWar-time Suppose you were alone in a dark, drab, Swiss hotel room In a few weeks you were to become a mother-and the man you loved was miles away-on the shell-torn Italian front. You write letter after letter to him-twenty one of them-and they are all returned stamped REJECTED BY CENSORThis is just one of the dramatic situations in Ernest Hemingways A Farewell to Arms, which comes to the _____ Theater on ___ (date).As you read in the novel, youll see A Farewell to Arms on the screen (Laurence 42-3). This was just one of the many shameless ploys Hollywood used o ver the years to exploit the celebrity status of the revered author however the effectiveness of such a publicity piece depended on the recipients not having read the book-else they would recognize that no such situation exists in the novel (43). Studios knew what they had to do get the ratings they sought it was gratifying for the public to believe that going to a movie was as good as reading a book (43). By the time devoted Hemingway readers saw the film ... ... Arms he once said (they did not ) also get the right to my sanction of the picture version (Laurence 44). Despite the sum of money he made, Hemingway suggested that the best way for a writer to deal with Hollywood was to meet the producers at the California state line You throw them your book, they throw you the money. Then you jump into your car and drive like hell back the way you came (Oliver A Hemingway Retrospective) Works CitedLaurence, Frank. Hemingway and the Movies. Jackson University Press, 1981. Oliver, Charles ed. A Moving Picture Feast The Filmgoers Hemingway. New York Praeger 1989. Oliver, Charles. A Hemingway Retrospective Hemingway and Hollywood. http//www.cnn.com/SPECIALS/books/1999/hemingway/stories/hollywood/ http//mason-west.com/Hemingway/films.php Films based on the works of Ernest Hemingway.