Leonardo Da Vinci :: Art Science Humanity

da Vinci Da Vinci da Vinci Da Vinci is one of the great and most ingenious men that memoir has produced. His contributions in the argonas of art, science, and humanity are still among the most important that a single man has come out forth, definitely making his a life-time sentence worth knowing. Da Vinci, natural on April 15, 1452, is credited with being a master painter, sculptor, architect, musician, engineer, and scientist. He was born(p) an illegitimate child to Catherina, a shaver girl. His breed was Ser Piero da Vinci, a public notary for the city of Florence, Italy. For the prototypical four years of his life he lived with his mother in the keen village of Vinci, directly outback(a) of the great center of the Renaissance, Florence. Catherina was a shortsighted woman, with possible artistic talent, the heritable basis of da Vincis talents. Upon the identification of da Vincis potential, his father took the boy to live with him and his wife in Florence (Why did ). This was the start of the boys education and his quest for knowledge. da Vinci was acknowledge by some(prenominal) to be a Renaissance child because of his some talents. As a boy, Leonardo was described as being handsome, strong, and agile. He had keen powers of observation, an imagination, and the ability to remove himself from the world around him. At an advance(prenominal) age Leonardo became interest in subjects such as botany, geology, animals (specifically birds), the head of water, and shadows (About Leonardo). At the age of 17, in about 1469, Leonardo was apprenticed as a garzone (studio boy) to Andrea del Verrocchio, the leading Florentine painter and sculptor of his day. In Verrocchios workshop Leonardo was introduced to many techniques, from the painting of altarpieces and panel pictures to the creation of braggy sculptural projects in stain and bronze. In 1472 he was accepted in the painters hostelry of Florence, and worked there for about six years. piece of music there, Leonardo often varicoloured portions of Verrocchios paintings for him, such as the background knowledge and the kneeling angel on the left in the Baptism of Christ (Encarta). Leonardos sections of the painting guide soft shadings, with shadows concealing the edges. These areas are august easily against the sharply be figures and objects of Verrocchio, that reflect the style called Early Renaissance. Leonardos more delightful approach marked the beginning of the last Renaissance. However, this style did not nonplus more popular in Italy for other 25 year (Gilbert 46).Leonardo Da Vinci Art Science HumanityLeonardo Da Vinci Leonardo Da Vinci is one of the greatest and most ingenious men that history has produced. His contributions in the areas of art, science, and humanity are still among the most important that a single man has put forth, definitely making his a life worth knowing. Da Vinci, born on April 15, 1452, is credited with being a master painter, sculptor, architect, musician, engineer, and scientist. He was born an illegitimate child to Catherina, a peasant girl. His father was Ser Piero da Vinci, a public notary for the city of Florence, Italy. For the first four years of his life he lived with his mother in the small village of Vinci, directly outside of the great center of the Renaissance, Florence. Catherina was a poor woman, with possible artistic talent, the genetic basis of Leonardos talents. Upon the realization of Leonardos potential, his father took the boy to live with him and his wife in Florence (Why did). This was the start of the boys education and his quest for knowledge. Leonardo was recognized by many to be a Renaissance child because of his many talents. As a boy, Leonardo was described as being handsome, strong, and agile. He had keen powers of observation, an imagination, and the ability to detach himself from the world around him. At an early age Leonardo became interested in subjects such as botany, g eology, animals (specifically birds), the motion of water, and shadows (About Leonardo). At the age of 17, in about 1469, Leonardo was apprenticed as a garzone (studio boy) to Andrea del Verrocchio, the leading Florentine painter and sculptor of his day. In Verrocchios workshop Leonardo was introduced to many techniques, from the painting of altarpieces and panel pictures to the creation of large sculptural projects in marble and bronze. In 1472 he was accepted in the painters guild of Florence, and worked there for about six years. While there, Leonardo often painted portions of Verrocchios paintings for him, such as the background and the kneeling angel on the left in the Baptism of Christ (Encarta). Leonardos sections of the painting have soft shadings, with shadows concealing the edges. These areas are distinguished easily against the sharply defined figures and objects of Verrocchio, that reflect the style called Early Renaissance. Leonardos more graceful approach marked the be ginning of the High Renaissance. However, this style did not become more popular in Italy for another 25 year (Gilbert 46).